123: Mark Kendall #3
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Description
Sound Matters episode #123 features Tom's 3rd in-depth conversation with Mark Kendall from the multi-platinum band Great White. In this episode, we debut a new segment called "Song Matters" where...
show more> Overview of how Great White and Mark wrote songs in the early days
> On reasons for recording fuller demos before presenting to band
> "Congo Square"
> Hendrix and Bowie's approach to song ideas
> Not the Mark Kendall show... but a band of dudes with opinions
> Collaborative or competitive in Great White with respect to songwriting credits
> "Mista Bone"
> "Rock Me" and how some of the greats change typical songwriting approaches
> When others in the band hear and help with your ideas
> Tom Petty and Jackson Browne... masters of their craft
> When to keep working on a song or move on
> Collaborating with bandmate Michael Lardie and writing solo sections
> Writing in different song structure styles
> Getting inspiration from other sources and Richie Blackmore's lifts, etc.
> "Hold On" from the 1st album and "No Better Than Hell"
> "Shot In the Dark" from 2nd album (and Alan Niven's contributions)
> Jack Russell and writing lyrics
> Alan Niven (like the 6th Great White member) - strong with lyrics and the business side
> "Waiting For Love" from Shot In the Dark (w/Stephan Jerry Lynn Williams)
> Nervous when recording and working with Michael Wagner
> The Once Bitten record... did they sense it was gonna be big
> "Rock Me" and hearing it back for the first time
> On "Rock Me" and the workaround for the 7 min. length
> "Save Your Love"
> "Lady Red Light"
> Michael Wagner - no effects records
> "Once Bitten, Twice Shy" (Ian Hunter)
> "The Angel Song" with Dio charity-inspired lyric and video
> "Call It Rock and Roll"
> "Afterglow" (Steve Marriott)
> On Steve Marriott and (Jack Russell) singing on Herman Rarebell's solo album
> "Love Is A Lie"
> People online teaching guitar parts for Great White songs
> Working with Jack Blades (and Don Dokken) on the Can't Get There from Here album...
> Working with Myron Grombaucher (from Pat Benatar band)
> Recording guitars and drums for the Can't Get There from Here album
> Really listening to others ideas before shooting them down in favor of your idea
> "This Is the Life" with Terry Illous (from XYZ) and Mark's grandson on the pick slide)
> Creating atmospheres and not worrying about duplicating live
> Underrated Great White songs: "Hold On" and "Street Killer" from the first album
> Songs that are selected as singles vs. those that are B-sides
> Well-constructed songs with memorable guitar parts... always been the goal
> Mark wanted to be like Carlos Santana
> Jimmy Page's guitar solo on "Stairway to Heaven"
> Why Great White songs are memorable
> Dynamics in music are the most important thing
> On shredding with respect to songwriting and guitar playing
> On continuing to get better, be inspired, and collaborating as a songwriter and music fan
> Mark's longtime friend who is a trusted ear
> The several months waiting after finishing a record
> Mark's favorites of the 13 Great White videos
> Thoughts on using technology today (for video and audio)
> Mark's solo work
Connect with Mark Kendall & Great White:
Website: www.officialgreatwhite.com
Facebook: www.facebook.com/GreatWhiteOfficial
Facebook: www.facebook.com/MarkSKendall
Twitter: www.twitter.com/MarkKendall_GW
Instagram: www.instagram.com/mr._greatwhite (@mr._greatwhite)
Connect with TOM LEU:
Websites: www.SoundMatters.tv | www.TomLeu.com | www.16Imaging.com
Official Facebook Page: www.facebook.com/tomleu2
Twitter: www.twitter.com/tomleu (@tomleu)
Instagram: www.instagram.com/tomleu (@tomleu)
YouTube: www.tomleu.tv
SOUND MATTERS Radio Episode #123 >> www.SoundMatters.tv/sm123/
Information
Author | TOM★LEU |
Organization | TOM★LEU |
Website | soundmatters.tv |
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