10 MAY 2024 · We had the pleasure of interviewing Ferry Townes over Zoom video! Ferry Townes releases new single “T.G.F.K” (Thank God For Kyle) via Licorice Pizza Records. The track is Julia Gargano’s second release following “Be Here” under her new project Ferry Townes. An ode to her best friend, “T.G.F.K” includes a breathtaking chorus composed of isolated, layered choral vocals, a canonic bedroom pop guitar bridge, and lyrics imbued with sincerity: “just got nothing to do without you.” Sonically captivating, “T.G.F.K” serves as a reminder that everyone needs, and deserves a best friend. “T.G.F.K, which stands for Thank God For Kyle, is about my bestest friend. The initial idea came from being so grateful that our relationship is what it is- that we’ll never have to fall in love and break up, but we will just be friends forever.” Gargano shares. The accompanying video, Directed by Stephanie Saias, perfectly encapsulates that forever kind of best friend love between Julia and Kyle. The sounds of Ferry Townes is an eclectic blend of acoustic and electronic elements, reminiscent of bands like HAIM and boygenius, yet with a distinct melodic narrative and alternative pop flair. She shares “Every page of lyrics tries to be closure to a tumultuous day, trying to compost the hard shit and turn it into energy, heartbreak into audacity, anxiousness into meditation. Nothing about life right now is normal and we are all off-roading emotionally and these songs should feel like a 4x4 for listeners.” Born and raised in Staten Island, the name Ferry Townes pays homage to The Staten Island Ferry, a symbol of Julia’s teen years commuting to LaGuardia High School, family days, dates, and watching the Statue of Liberty pass by. She shares, "Staten Island, often underestimated, grows more irreplaceable to me every time I’m on the road.” From her deep Staten Island roots, grows a vivid musical exploration of feminine identity and growing pains, sprinkled with anxious flashes and flirty obsessions. Today’s single “Be Here” is just the start of the Ferry Townes’ melodic and coming of age journey. She shares, “I can literally see my growth as a person when I look at these songs. They were written over the span of the past 3 years, which were a rollercoaster. Mid twenties are such a weird age. Ferry Townes was born out of a need to say things we should but don’t. Our songs are like those intense, never-sent letters, filled with raw overshares that one might only say with brave thumbs, but not their mouths."  ABOUT FERRY TOWNES Hailing from the streets of Staten Island, Ferry Townes emerges as a poignant voice in the indie music scene, channeling the raw, unfiltered emotions of its frontwoman, songwriter, Julia Gargano. The name Ferry Townes is an homage to The Staten Island Ferry, a symbol of Julia’s upbringing commuting to Manhattan for school, family days, dates, and watching the Statue of Liberty. Having had her public debut on American Idol Season 18 and finishing in the top 7, Gargano’s debut collection is an eclectic blend of acoustic and electronic elements, reminiscent of bands like HAIM and boygenius, yet with a distinct melodic narrative and alternative pop flair. Ferry Townes is a vivid musical exploration of feminine identity and growing pains, sprinkled with anxious flashes and flirty obsessions. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #FerryTownes #JuliaGargano #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

7 MAY 2024 · We had the pleasure of interviewing Judah & the Lion over Zoom video! “Floating in the Night,” the follow-up to “Great Decisions,” Nashville crossover folk heroes Judah & the Lion (Judah Akers and Brian Macdonald) double down on the post break-up anger – but stretch towards forgiveness. The soul-baring new single is from their forthcoming album, The Process, which will be released on May 10 via Cletus the Van / Downtown Artist & Label Services. Judah says, “Anger was something I wasn’t allowed to feel growing up. The notion that everything had to be “okay” and not be justifiably angry only hurt me and my chronic back pain. When people who hurt you don’t take your pain seriously. That fucking sucks. I won’t let that happen again.”   The Process, their fifth studio album, was inspired by singer Judah’s personal life and struggles. Both he and Brian are sons of therapists, so groundbreaking psychiatrist Elisabeth Kübler-Ross’ five stages of grief came to mind – Denial, Anger, Bargaining, Depression and Acceptance – as they began work on the album. Interludes set the tone for song suites dedicated to each of the five stages. Leading up to release of “Floating in the Night,” Judah & the Lion teased the single and shared about the role anger plays in the healing process in a series of short videos. Influencer jordanbyrness amplified the message with her “YALL. AREN’T. HEARING. HIM.” post. Judah & the Lion will be performing some of the new songs on tour this spring. The extensive North American run will kick off on April 25 at PNC Music Pavilion in Charlotte, NC and include shows at Colorado’s Red Rocks Amphitheatre (May 19) and The Rooftop at Pier 17 in NYC (May 31). The Process is buoyant, impassioned and emotionally connective. The band has a reinvigorated sense of purpose with its aim to create music that resonates deeply, believing in music’s power to connect people and make them feel less alone in life’s journey. The band began releasing songs from The Process last year. The new material has racked up nearly 10 million combined global streams to date and earned spots on numerous playlists across all DSPs, including Spotify’s New Music Friday, Apple Music’s New Music Daily and Amazon Music’s Alternative Hits, with additional support from SiriusXM Alt Nation’s “Advanced Placement,” Pandora, YouTube, SoundCloud, Tidal, Audiomack and Deezer. Since their 2012 debut EP, Judah & the Lion have earned widespread acclaim for their genre-bending music, received Platinum/Gold certifications, amassed over one billion career streams and sold over 500 million tickets. Six of their hit singles have gone Top 15 on Alternative radio and the band won an iHeart Music Award for Best New Alt Rock Band of 2018. The Process is the follow-up to 2022’s Revival, which Atwood Magazine praised as an “electric embrace of what it means to be alive: Soaring through limitless euphoric highs, dwelling in gut-wrenching lows, and soaking up all the feeling in between.” We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #JudahandtheLion #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

3 MAY 2024 · We had the pleasure of interviewing RAEGAN over Zoom video! New York-based, queer experimental alt-pop artist RAEGAN releases her highly-anticipated debut EP, FUCK RAEGAN. Her first full-length EP, the project debuts her as a rising, multi-faceted creative force to be reckoned with. At its core, FUCK RAEGAN is an unpredictable, theatrical, and innovative journey through RAEGAN’s inner workings. The six-track record shows her fully embracing her own unique sonic atmosphere, embellishing carefully-crafted rhythms with soft, haunting vocals. Combining witty-yet-personal lyrics with inventive beats and vivid soundscapes inspired by Tyler, the Creator and Marina, RAEGAN’s versatility and songwriting prowess is front and center throughout the EP.  The four previously-released singles are now complemented by two additional tracks - tongue-in-cheek title track “FUCK RAEGAN” and the vulnerable “101 DALMATIONS.” “FUCK RAEGAN” sets the tone for the project with its unapologetic confidence of RAEGAN finding her identity that served as a driving force in the EP’s formative stages. Meanwhile, “101 DALMATIANS'' ends the project on a softer, more vulnerable note as RAEGAN juxtaposes the prior tracks as she laments, “You don’t want them to know me.” As a whole, the songs build an empowering illustration of the authentic, head-spinning experiences of navigating self-discovery and to not take life too seriously, despite everything. “In this period, I was finding my identity not only in life but as an artist; these beats are me experimenting with that,” shares RAEGAN. “Continuing to grow and elevate, I see myself having found my audience and creating a bond with them. It’s only up from here, and I'm excited for people to hear what I've made so far so I can start releasing my new music and have my listeners follow me through real time. I'm constantly growing and going through different eras of my life and I'm ready to show the world who I am now.” RAEGAN consistently challenges artistic boundaries with her work. Following the positive reception of her track “COINS'' late last year, which was highlighted in Billboard’s “Queer Jams of the Week,” RAEGAN continues to remain a dynamic force in the alt-pop music scene and grow her legion of dedicated fans online. Her earlier single, “MEAN'' gained praise from People Magazine, earning her a spot on their “Talented Emerging Artists” list, recognizing her as a bold trailblazer in the industry. Her latest release, “FROGS,” set the stage for the EP and earned playlisting by Ones To Watch and praise from Substream Magazine. Her work has not only been praised for its sound, but for the songs’ accompanying visuals that bring them to life on a screen and further prove RAEGAN’s overall artistic genius.  The release of ‘FUCK RAEGAN’ is momentum for what is set to be a massive year for RAEGAN. Last week, she concluded supporting Autoheart on their completely sold-out Love Me, Love Me, Love Me tour across the United States, bringing her captivating live set to venues such as the iconic Troubadour in Los Angeles and New York City’s Racket. Stay tuned for more from RAEGAN. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #RAEGAN #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

30 APR 2024 · We had the pleasure of interviewing Great Good Fine Ok over Zoom video! LA-via-Brooklyn synth-pop sensation Great Good Fine Ok has unveiled their latest musical endeavor, EXIST EP, via Nettwerk. The EP features the new single/music video “Led Me To You,” propelled by an infectious groove and soaring vocals. The EXIST EP features a collection of colorful, groove-laden tracks that establishes Great Good Fine Ok's innovative blend of synth-pop, showcasing their ability to create upbeat melodies and compelling lyrics. A sprawling voyage that transcends sonic boundaries and explores the multifaceted aspects of existence, the EP is another testament to the duo's growth as artists and their commitment to pushing the boundaries of the genre, while balancing both introspective and uplifting material. The latest single "Led Me To You," is driven by catchy hooks and dynamic production. With “Led Me To You,” the snappy groove uplifts another towering display of vocal fireworks. The track explores themes of resilience and finding love in unexpected places, as explained by lead single Jon Sandler, “To a degree, everyone experiences trauma. Most people do find happiness in relationships, so it’s a healthy way to look at it, ‘Hardship led me to you’.” "Breathing" is a sonic journey through pulsating basslines, simmering drums, and wah-wah groans, all set against a neon-hued backdrop. The track encapsulates the band's signature blend of groovy yet sonically dynamic elements, creating an immersive and infectious musical experience. Paired with “Breathing” is a stunning music video directed by Zebulon Griffin (Jonah Kagen, UPSAHL) and the team at Columinati Films (Griffin, Cory Messer, Robyn Griffin). The visuals explore the surreal scenario of people continuing with mundane tasks amidst a crumbling world. A satirical portrayal of human indifference, the clip invites viewers to consider the possibility of alternate realities through vibrant neon portals. "Will We Make It?" demonstrates a revitalized soundscape of Great Good Fine Ok, blending warbling vocals with bass-y synths that are sure to entice listeners. Behind the lush and otherworldly production is multi-instrumentalist Luke Moellman, whose spacey production adds depth and dimension transporting listeners to a sonic realm where emotion and music collide in new and enthralling ways. The track features hypnotic high register gliding over a bridge that sets the stage for Sandler's emotionally charged plea, "I really need to know right now, will we make it?" This lyrical exclamation delves into the uncertainty that often accompanies today’s complex world of relationships and connections with a relatable perspective. With “Blame,” a soft piano underscores breathy verses only for the momentum to turn on a dime into a funkified, falsetto-powered hook backed by steady handclaps, strutting guitars, boisterous horns, and a disco beat practically tailormade for Studio 54 (as re-conceived in the metaverse). The tender finale “Make This Moment Last” sees the duo lace a head-nodding bounce with raw vulnerability. “It’s about losing someone and being nostalgic,” shares Sandler. “If you had more time, you feel like you’d appreciate it more. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #GreatGoodFineOk #IGGFO #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

30 APR 2024 · We had the pleasure of interviewing MISSIO over Zoom video! Personally, MISSIO is the union of two longtime friends and creative kindred spirits. Musically, MISSIO is a living and breathing entity with a mind of its own. Communally, MISSIO is a movement of fans worldwide attached to the sentient artistry of those creators. The acclaimed Austin, TX duo—Matthew Brue and David Butler—fearlessly break the rules as they fuse elements of rock, electronic, indie, and hip-hop into an unmatched and uncompromising hybrid. They tie seemingly disparate threads together with honest and heartfelt lyrics meant to both provoke and inspire. Following the 2023-2024 Cinco EP series, the pair present their most definitive and dynamic vision yet with their full-length double-album, I Am Cinco [Nettwerk Music Group]. It collates five moods—I Am Sad, I Am High, I Am Awesome, I Am Angry and I Am Crazy—into one. Since 2015, MISSIO have painted this picture. It only became clearer as they served up projects such as Loner [2017], The Darker the Weather // The Better the Man [2019], Can You Feel The Sun [2020], and VILLAIN [2022]. Tallying over 1 billion streams, their catalog has notably resonated with the Gold-certified “Everybody Gets High” and staples, including “Twisted,” “Bottom of the Deep Blue See,” “Sing To Me,” and “I See You.” Between packing houses on tour, they appeared at festivals a la ACL and Lollapalooza and incited the applause of Atwood Magazine, Billboard, Rolling Stone, The Boston Globe, New Noise Magazine, and Substream Magazine. This ambitious season of music initially took shape in their headquarters of Austin only to be completed on a creative sojourn to Mexico City. Excited to share the music with the world, the group teased what would become I Am Cinco with 2023’s I Am Sad, I Am High, and I Am Awesome.  Everything just set the stage for them to finally release this body of work in its entirety as I Am Cinco. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #MISSIO #IAmCinco #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

23 APR 2024 · We had the pleasure of interviewing The Glorious Sons over Zoom video! The Glorious Sons, renowned for their chart-topping hits and captivating live performances, are poised to make an impact on the musical landscape once again with the release of their new album, 'Glory'. With a distinct roots rock feel, the 10-track project is out now via Warner Music Canada and ADA Worldwide. Best known for their twoBillboard Mainstream Rockchart-topping singles "S.O.S. (Sawed OffShotgun)" and "Panic Attack," as well as being nominated for the 2020 iHeart Media Best NewRock/Alternative Rock Artist, The Glorious Sons have consistently pushed boundaries and defied expectations. With their latest album, 'Glory', they delve even deeper into the human experience, exploring themes of perseverance, personal growth, and the tumultuous journey of self-acceptance. Lead singer Brett Emmons shares his perspective on the album's inspiration and themes: "When I listen back to this album, it kind of presents itself as one big inner struggle puked out for everyone to hear. Sometimes it actually embarrasses me quite a bit—but that’s what was in there, so—life goes on, I guess."He attributes the album's themes to spending time alone and confronting his inner thoughts during the pandemic: "It kind of feels like the acknowledgment of that annoying pain of what it means to be human." The Glorious Sons' journey in the music industry has undeniably influenced the evolution of their sound.‘Glory’ showcases their growth, maintaining the emotional intensity they are known for while exploring new sonic territories. Emmons reflects,"’Glory’ is just another chapter in what we’re doing—I’m sure we’ll be another band next album, it’s kind of just the way our minds work."He emphasizes the album's departure from the immediate hit-seeking approach, instead focusing on creating a body of work that breathes and takes its time, allowing the band's personal taste to shine through. The album's lead single, "Mercy Mercy," set the tone for the introspective journey. The song combines elements of familiarity and innovation to showcase the band’s distinct sonic style and poignant lyrics, while highlighting their anthemic and ambitious nature.“Mercy Mercy” quickly became a contender, it was the most added track at rock radio formats for two consecutive weeks, reached #3 on Mediabase's Multiple Rock Formats in Canada, and continues to receive strong support from Triple A and Alternative stations in the US. "Glory" not only stands as the album's title but also embodies its essence, playing a pivotal role in the project's narrative. Emmons describes it as" a rally cry to the band," a reflection on their journey, a surrendering of emotions, and a reminder that success is not a guarantee. He notes, "I wanted people to know how good we had it, and remind them that this [success] doesn’t last forever. It’s not just something that’s owed to us." We want to hear from you! Please email https://BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #TheGloriousSons #Glory #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

19 APR 2024 · We had the pleasure of interviewing Bobbi Storm over Zoom video! Inspirational R&B and Hip-Hop artist Bobbi Storm is one of the industry's top artists to watch in 2024. Starting her music career as a corporate wedding singer, Bobbi is poised for a promising future, highlighted by her top charting debut single "We Can’t Forget Him" which hit 1 million views on YouTube in less than three weeks and rose to Number 1 on Billboard's Gospel chart. The remix features singer-songwriter and chart-topping producer Fridayy and New York Rapper, songwriter and actress, DreamDoll. Bobbi Storm had two features on Maverick City Music’s Grammy Nominated “Maverick Way Complete” album and is preparing to release new music in 2024. She will make her National TV debut as a featured performer on the upcoming Urban One Honors, which will premiere Sunday, February 25th on TV One and simulcast on CLEO TV. Bobbi's musical influences are a blend of legends, from her hometown of Detroit's Motown heroes to Mariah Carey, Minnie Riperton, Alicia Keys, H.E.R., Pink, Whitney Houston, Destiny's Child, Marvin Gaye, Al Green and Michael Jackson. Bobbi is also inspired by Inspirational/Gospel artists such as Maverick City, Kierra Sheard, Todd Dulaney and many more. These influences have shaped her distinctive sound and style. Bobbi launched her unique #holymix series at the start of the pandemic in 2020. Posting her mixes on social media has attracted the ears of fans and music artists alike, garnering the attention of her now label home TRIBL Records. Led by the Holy Spirit, Bobbi found that popular radio hits could be transformed into songs that glorify the Kingdom of God. Notable mixes include inspirational adaptations of popular hits, like “Hrs and Hrs" by Muni Long and "Wait For You" by Drake and Future. Most recently she did Holy mixes for Miley Cyrus’s “Flowers” and “Snooze” by SZA, as well as the current viral track "Made For Me" by Muni Long. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #BobbiStorm #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

19 APR 2024 · We had the pleasure of interviewing Gossip over Zoom video! Indie-pop rebels Gossip have made a triumphant return with their highly anticipated Album, Real Power, marking their first album in over a decade. Alongside the album comes focus track "Give It Up For Love," via Ultra Records/Sony Music Entertainment. The album marks a reunion with acclaimed producer Rick Rubin, who helmed the band’s pivotal 2009 album Music For Men. At the coaxing of Rubin, the band started recording in 2019 after completing a tour for the ten-year anniversary of Music For Men. Recorded at Rubin’s home studio in Kauai, the process was temporarily halted by the pandemic and resumed when restrictions lifted. The result is an 11-track testament to the galvanizing might of music, the liberating joy of creative expression, and the profound power of chosen family amidst collective and personal upheavals. "Real Power" not only marks a new chapter of maturity and purpose for the trio but also showcases Gossip's characteristic blend of sonic diversity, spanning from propulsive rock to jubilant disco, and delving into a rich tapestry of emotions that encompass the full spectrum of the human experience. Highlights on Real Power include the invigorating “Real Power,” lauded by Billboard for its “infectious melodies and stratospheric vocals,” along with the first single and blissful pop classic “Crazy Again,” praised by Consequence for its “dazzling production and radiant hooks.” A multi-platinum selling band, Gossip have sold over 10 million records worldwide a nd are one of Indie Rock’s most exciting acts from the early 21st century. Gossip consists of vocalist Beth Ditto, guitarist Nathan "Brace Paine" Howdeshell and drummer Hannah Blilie. The band’s 2016 breakout studio album, Standing In The Way Of Control, reached #1 on UK Indie chart (certified Gold) and solidified the band as a dynamic force in the music scene. “Standing In The Way Of Control,” the album’s battle-cry title track, is a queer anthem written in response to U.S. government’s proposition to define marriage and exclude homosexuals. The band achieved multiplatinum success with their follow up Music For Men, certified 2x platinum in Germany and France, 1x platinum in Australia and Switzerland with sales in excess of 1.5m copies. Gossip is renowned for their high energy live performances and have delivered incredible sets at some of the world’s biggest festivals such as Glastonbury, Coachella, Pukkelpop Festival and most recently a triumphant headline set at BBC 6 Music Festival. The band's first U.S. festival performance following the release of Real Power will be at Just Like Heaven in Pasadena, CA on May 18th. For information on upcoming tour dates, visit: https://www.bethditto.com We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #Gossip #BethDitto #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

17 APR 2024 · We had the pleasure of interviewing John Smith over Zoom video! Though he was dubbed the future of folk music by Pentangle’s John Renbourn, singer-songwriter John Smith’s unique synthesis of styles puts him halfway across the Atlantic. He once made an album driving round the Deep South, recording out of the boot of his car; but his new record The Living Kindis the real masterpiece in American atmospherics – a true musician’s record, produced by Joe Henry, the man responsible for some of the subtlest Americana of recent times. At the start of 2022 they cooked up the idea for an intimate record together – “an acoustic album that sounded like Spirit of Eden”, Smith explains, referencing Talk Talk’s 1988 classic. Along with John Martyn’s Solid Air and Joni Mitchell’s electro-acoustic odyssey Hejira, it was one of the three creative inspirations for The Living Kind. Like Hejira, the new album is a cohesive song-cycle that seems to be cast in one rich tone-colour, one powerful mood. At the start of the Covid pandemic, Smith’s family suffered a cluster of personal crises in the space of three months. His mother began radiotherapy for breast cancer, his father was diagnosed with Alzheimer’s and his wife lost a pregnancy which also endangered her life. The couple, who have a young daughter, sold their house in Sussex and relocated his parents from Spain to a new home, for treatment. After that, as he sings in his first single The World Turns, Smith had to “find a new way to feel”. Most of the songs were written in the space of just two months over Christmas last year: The Living Kind is an album made after, not in the midst, of a period of personal turmoil. It gets you right in the chest – the opener,Candle, captures the overwhelming strain of his father’s diagnosis – but in its self-possession and curious positivity it feels like the culmination of many personal evolutions. The Living Kind owes much of its precision and confidence to its unique recording circumstances: it was cut over just four days in February 2023, in Joe Henry’s remote home in Harpswell, Maine. With temperatures dropping to -25 outside, the band – a tight trio consisting of Henry’s son Levon and bassist Ross Gallagher – didn’t leave the house at all. You can hear the closeness, darkness and warmth in the new songs – the hunkeredness, the cocoon. It was the first live recording made in Joe’s new “music room”, a space above the garage, and cutting a record there was a leap of faith as it was completely un-soundproofed: “if a truck came by, you’d have to stop recording”. But Henry’s organic and spontaneous way of working has revolutionized Smith’s own. Writing on his 1963 Martin and a new Mulecaster steel guitar, Smith tends to be led where his instrument takes him. He’s always played acoustic guitars with pickups inside, and enhances the rich, three-dimensional sounds with an EBow: a vibrating magnet held above a guitar string, which produces a theremin-like wail. The Living Kind is an album from someone lucky enough to have the gift of music to help put life’s greatest challenges into some kind of perspective: “I do feel without my guitar and without song-writing I would have lost my mind, many times” Smith says. Henry detected something new in his singing, a lack of self-consciousness, closer to live performance than he had ever heard him in the studio. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #SHAED #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod

12 APR 2024 · We had the pleasure of interviewing SHAED over Zoom video! Genre-defying band SHAED announces their new album Spinning Out out June 7th via BMG. Pre-save the album https://shaed.lnk.to/SpinningOutPR. The band also released their new single “Rocket in the Sky.” The album comprises eleven songs exploring themes of family, love, and growth. Over years of writing, recording, and producing, Spinning Out cohered as a collection of snapshots and vignettes, reflecting on love and belonging from all different angles. “Rocket in the Sky” follows “Everybody Knows I’m High” as the second single from Spinning Out. “Rocket in the Sky,” while originally written about Chelsea and Spencer’s daughter June, perfectly captures the feeling of loving someone so much that you can’t even do the simplest of tasks. The creation of “Rocket in the Sky” was entirely organic and “super emotional.” Spencer and Chelsea started the song on the guitar, Max reimagined the chords on the piano, and all three finished it and tracked it in the living room. On the production, SHAED shared, “We produced it out in a bunch of different ways in LA, including a disco version, think ‘Staying Alive,’ ‘Dancing Queen’ energy. When we got back to DC, we listened back to the original demo and just felt that it had this unrestrained emotional performance by Chelsea that couldn’t be replicated. So we kept the original demo, layered in a few elements to build the energy of the tune, and printed it.” About SHAED: SHAED weren’t immune to spinning out. The trio of Chelsea Lee and twin brothers Max and Spencer Ernst had been living in a whirlwind for a long time — a long, circuitous, sometimes stop-start arc that included meeting as teenagers playing around D.C., living and writing at home together, and a surprise breakout hit in 2018’s “Trampoline.” The runaway ascension of “Trampoline” led the band through an array of dream scenario milestones — soundtracking a MacBook Air commercial, two billion streams, and accolades from pop culture monoliths like iHeart and Billboard. But SHAED also experienced the pitfalls of following that unexpected success. Seeking a reset, the trio emerged from tumultuous times equally defined by existential crises and beautiful life changes to craft a sophomore album that was as true a statement of their identity as anything they had made thus far. There was only one name for it: Spinning Out. Spinning Out is the sound of SHAED’s core ethos, their connection as family and musicians. Inspired by new love and parenthood, the album cohered as a collection of snapshots and vignettes, reflecting on belonging and connection from all different angles. While aided by collaborators like POWERS’ Mike Del Rio, the bulk of Spinning Out was built on SHAED, as always, writing and recording at home together, chasing a more organic and lived-in atmosphere. Across moving ballads and graceful bops alike — including the emotionally bare title track, the soaring “Rocket In The Sky,” and the hazy earworm of lead single “Everybody Knows I’m High” (debuted in SHAED’s February Kimmel performance) — the band catalogs all the trials, euphoria, confusion, and hope that ran through a messy few years. Once upon a time Spinning Out might’ve been born from fragmentation, but it became the story of SHAED doing what they’ve always done best — getting in a room and chasing the answer together.“ Everybody Knows I’m High” was SHAED’s follow up to their 2021 album High Dive. We want to hear from you! Please email mailto:Hello@BringinitBackwards.com http://www.bringinitbackwards.com #podcast #interview #bringinbackpod #SHAED #NewMusic #Zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter!  https://www.facebook.com/groups/bringinbackpod